Posts Tagged ‘Ryan Connolly’

Ok, so I know this is not a new topic and there are many resources online especially YouTube and Vimeo that go into depth on these subjects. Why might you ask, am I going into it as well? Well I’ve been out a few places and have heard people refer to color grading and color correcting as the same thing. NO it is NOT, NO I SAY AGAIN IT IS NOT!

To put it in layman’s terms if I may, Color Correction is the process by which you fix any white balancing issues that may or may not be there. Increasing the contrast maybe, adjust highlights and even saturation. In most cases, a simple COLOR CORRECTION can help an alright piece of footage look GREAT! Now I’ve just scratched the surface on this portion because I want all of you to go out and check out for yourself what I’m talking about it.

Ok so now on to Color Grading.  Color Grading is done after the primary color correction is completed and can be part of the color correcting process.  Color Grading sets the overal style of your movie.  SinCity had a highly stylized grading that most people remember.  It actually helps to tell the story.  Transformers, Star Trek, Avatar and Lord of The Rings are all examples of movies that used a color grading scenario to convey a feeling or aid in the telling of these stories!

If you are still confused and you say Michael “What the heck” are you blabbering about. Here are some examples from our friends at Film Riot and oh if you didn’t know Emily is BACK! I love Emily…if you don’t know who Emily is the make sure you watch the clips below!

A little back story on some color correcting tools.  In most NLEs (Non Linear Editors) Final Cut, Premiere, Sony Vegas, AVID and the likes, come with a form of color correction, usually a 3 way color wheel of some sort.  Final Cut Studio 3 had the wonderful Color application that to me at first was a little intimidating with its bland opening screen and scary interface.  Then Red Giant came on the scene with Colorista which was so powerful everyone was talking about it.  Then they also came up with Magic Bullet Looks which had a stable of preset looks that you can apply to your project and then tweak if you wanted something more.  For the most part all of these tools can be used.  It’s up to you to choose your weapon!

Now if you are one of those that don’t have the time or the patience to learn yet another thing pertaining to this business, then there are lots of Colorists out there that specialize in this field.  Had the pleasure of meeting a few at the last Atlanta Cutter’s event.

Remember, this is a learn as you go industry.  Even right out of school, different directors and producers go about things differently. Be adaptable to all circumstances if you are able.  Learn as much as you can and when the time is right, ask questions, please not during a take…you’ll be asked to leave the set!

I’ll be talking more about this subject later as it is important!

Happy Coloring!

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So I was watching Monday Challenge with Ryan Connolly and the crew and he mentions Video Copilot and something called ELEMENTS. So I meander over to Videocopilot and see they’ve launched a new product. After about 30 minutes of me sitting there with my mouth dropped, I decided I need to get out more! If you guys don’t know about Video Copilot, you better get with the program!

So what do you need to know about Video Copilot? Well if you want to know anything at all about After Effects, they are the leading authority on it.  They have a wide array of tutorials for many different things that you can use a filmmaker or editor to take your projects to the next level.  Plus, he’s pretty funny! I’ve learned and used quite a few things myself.  As I said earlier, Andrew Kramer and his team have released this new application for 3D manipulation that will take your projects even higher. I’m not even going to pretend to understand how and what it really is but what it DOES is A-ma-za-zing! Check it out for yourself if you don’t believe me!

Oh and on a side note, I was sitting and watching the behind the scenes of Star Trek by JJ Abrams and heard him mention the opening title sequence was done by Andrew Kramer himself. so if you don’t believe me how outstanding he is, then take it from JJ Abrams.  He is the real deal.  So you guys better get all this knowledge and cool stuff from him before Hollywood takes him from us!

Happy Learning

Michael

Ok so in the past I’ve spoken about the importance of a “crew” in filmmaking. Well at least I think I did…so if I didn’t, here is just a tidbit of that information from a wonderful site The Black and Blue. I recently subscribed to them and have been getting wonderful bits of information, tips and knowledge.

Now we all know that the world of film is usually a visual world, right? But with bad sound that can make a good film bad and a bad film unbearable. With indie films we, and yes I said “WE” tend to skimp on things because we either can’t afford it or may not know the “RIGHT” people to get to the do the job. I would venture to say that sound is like 80 to 90 percent of your film unless of course it is a silent film or one without the need for dialogue. We’ve already got the understanding that you have to have clean shots and proper lighting, the basics, but sound is the elusive holy grail. We’ll spend money on the LED light and the new Tokina 11-16 lens but we don’t put anything in the budget for proper execution of sound acquisition. Hmmm that sounded pretty cool.

With people out there like Ryan Connolly of Film Riot, Caleb from DSLR VideoShooterKoo from NoFilmSchool, where by the way you can download a copy of a his DSRL Cinematography Guide, and Dave Dugdale from LearningDSLRVideo just to name a few, I actually watch a lot more but this is to save you from scouring over the entire internet.  I’m actually waiting for my DVD copy of the movie TELL, which I wrote about in a previous blog! Ryan Connolly and his team have me on the edge of my seat and eagerly waiting for the next installment of media mayhem they successfully provide along with a hearty mindful of knowledge for that bootay! The DVD package is something I’m excited about because Ryan is providing some really NICE extra material that I’m dying to see.  Maybe one day I’ll have some thing worthy of him directing! That’s on my santa’s wish list along with my RED camera. But I digress, I was just saying that with these resources online you should be able to get your sound to a level where it need not be CRAPPY (yes that’s a technical word)! And yes it is a learning process, each situation will dictate a different method of working around a particular problem.  We’ve got H4ns, H1s, Tascams, Rodes, I mean the list goes on, so please please pay attention to your SOUND!

Sorry I think I rambled on too much.  Without further adieu

Thanks to Evan Luzi from The Black and Blue for this wonderful video!

First of all, let me start by saying these guys really rock! They have been teaching indie filmmakers, tips and tricks for a while now and they have delivered a wonderful action packed short called “Losses”.  Josh really stretched his acting skills be portraying a killer! It was just so cool to see.  You would expect the normal Film Riot humor that they have been known for and I’ve have so grown to love, but it has a certain Bourne Identity/Jason Statham(ish) feel! I love the color grading and the lighting! The feel was wonderful.  And I know a lot people commented on the shakiness of some of the scenes. Yes maybe in some places it was a little too much but it gave the film movement and almost an urgency. So without further adieu here is “LOSSES” – It is suggested that you watch this FULL SCREEN and choose Original to see it in it’s full 2k glory!